This is hard to say, but as I wandered through the lea
I felt for just a fleeting moment that I was suddenly free of being lonely;
Then I closed my eyes and saw the very reason why.
I saw a man with his head bowed low
His heard had no place to go,
I looked and I thought to myself with a sigh:
There but for you go I.
I saw a man walking by the sea
Alone with the tide was he,
I looked and I thought as I watched him go by:
There but for you go I.
Lonely men around me trying not to cry;
Till the day you found me, there among them was I.
I saw a man who had never known a love that was all his own.
I thought as I thanked all the stars in the sky:
There but for you go I.
I saw a man with his head bowed low
His heard had no place to go,
I looked and I thought to myself with a sigh:
There but for you go I.
I saw a man walking by the sea
Alone with the tide was he,
I looked and I thought as I watched him go by:
There but for you go I.
Lonely men around me trying not to cry;
Till the day you found me, there among them was I.
I saw a man who had never known a love that was all his own.
I thought as I thanked all the stars in the sky:
There but for you go I.
Art Blakey (Arthur Blakey, 1919-1990) è stato un leggendario batterista jazz statunitense, considerato uno dei pilastri del bebop. Nato a Pittsburgh, Pennsylvania, Blakey iniziò la sua carriera negli anni '40, collaborando con artisti come Dizzy Gillespie e Thelonious Monk. Nel 1954 fondò il suo gruppo più famoso, The Jazz Messengers, che divenne un trampolino di lancio per molti musicisti jazz di spicco, tra cui Wayne Shorter, Lee Morgan e Freddie Hubbard. Blakey era noto per la sua energia contagiosa sul palco, la sua tecnica batteristica potente e precisa e la sua leadership carismatica. Il suo stile, caratterizzato da ritmi serrati e improvvisazioni virtuosistiche, ha influenzato generazioni di musicisti. Tra i brani più rappresentativi di Blakey figurano "Moanin'", "A Night in Tunisia" e "Blues March". Il suo album del 1958, "The Jazz Messengers at the Cafe Bohemia", è considerato un classico del bebop.
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