It used to be a motel
Now they serve biscuits and t-shirts
I bring my own tea bag
I don't trust the coffee
But the biscuits are delicious
They come eight to a plate with a big block of butter
and homemade peach preserves
And I wish you were here, my arrogant lover
I'd make you eat grits and the red-eyed gravy
I'd make you sit down with the southern ladies and
their blue pantsuits
I'd talk about Jesus
Talk about the weather
Watch you squirm as I told them we were married with two girls
I'd say you were in trucking
And I was a teacher
In a Christian school where the kids are good
And they don't do drugs and they save themselves
before they're married
I wouldn't tell them you had a wife
That wasn't me and we just had sex
And they wouldn't be impressed if I told them you knew Lou Reed
And the stars upon the walls look down at me like gods
There's Ernest Borgnine and Billy Ray Cyrus and my favorite Minnie Pearl
So I go for the coffee
It's not bad just a little weak
And I ask the waitress for another plate of the famous biscuits
She said you must have a bottomless pit
I said you don't know the half of it
Lately I've been so hungry
And the stars upon the wall look down at me like gods
Minnie she just shakes her head
She said
Jill Sobule (born January 16, 1965 in Denver, Colorado) is an American singer-songwriter best known for the 1995 single "I Kissed a Girl", and "Supermodel" from the soundtrack of the 1995 film Clueless. Her folk-inflected compositions alternate between ironic, story-driven character studies and emotive ballads, a duality reminiscent of such 1970s American songwriters as Warren Zevon, Harry Nilsson, Loudon Wainwright III, Harry Chapin, and Randy Newman. Autobiographical elements, including Sobule's Jewish heritage and her adolescent battles with anorexia and depression, frequently occur in Sobule's writing. An appreciable percentage of her work is also dedicated to detailed accounts of both her own fictional female creations and such troubled but celebrated women as Joey Heatherton and Mary Kay Letourneau, whose stories are usually used to make ironic comments about fame and celebrity. In 2009 she released an album funded entirely by fan donations.
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