Yesterday you came my way,
And when you smiled at me,
In my heart I felt a thrill you see,
That it was love at sight and
I was right to love you as I do.
Still I never dreamed that you could love me too.
Your eyes of blue, your kisses too,
I never knew what they could do.
I can't believe that you're in love with me.
You're telling ev'ry one I know
I'm on your mind each place we go
They can't believe that you're in love with me.
I have always placed you far above me.
I just can't imagine that you love me.
And after all is said and done,
To think that I'm the lucky one.
I can't believe that you're in love with me.
Skies are gray. I'm blue each day
When you are not around.Ev'ry thing goes wrong, my dear I've found
But when you're by my side I fill with pride
For I'm so proud of you
It all seems too good to me to all be true
Your eyes of blue, your kisses too,
I never knew what they could do.
I can't believe that you're in love with me.
You're telling ev'ry one I know
I'm on your mind each place we go
They can't believe that you're in love with me.
I have always placed you far above me.
I just can't imagine that you love me.
And after all is said and done,
To think that I'm the lucky one.
I can't believe that you're in love with me.
Lee Konitz (Leon Konitz, Chicago, 10 novembre 1927 – New York, 15 aprile 2023) è stato un sassofonista e compositore statunitense di musica jazz. Considerato uno dei più influenti musicisti del bebop e della cool jazz, Konitz ha caratterizzato il suo stile con una melodia fluida e un'improvvisazione libera e creativa. Dopo aver studiato al Berklee College of Music, si è trasferito a New York nel 1947, dove ha collaborato con artisti come Miles Davis, Gerry Mulligan e Chet Baker. Nel 1949 ha formato il celebre quartetto di jazz con Mulligan, che ha rivoluzionato l'approccio alla musica jazz con un sound innovativo e minimalista. Konitz è stato anche un compositore prolifico, scrivendo brani per orchestra e ensemble jazz. Tra i suoi album più importanti ricordiamo "The Lee Konitz Quartet" (1952) e "Subconscious-Lee" (1960). Tra le sue canzoni più rappresentative: "Subconscious-Lee", "Lullaby of Birdland", "I'm Old Fashioned".
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