I know it's better if we both say
"So long and thanks for the memories"
I'd like to say that it's been real
But it's been fake as hell
I caught you lyin' in my face again
You got me hangin' by a thread again
Feel like a kite in a hurricane
So cut the string and let me fly away
Now we're burnin' at both ends
Like candles in the wind
My eyelids collapsing
Collateral damage
I know it's better if we both say
"So long and thanks for the memories"
I'd like to say that it's been real
But it's been fake as hell
Take two and call me in the morning
Three chances, should've seen the warning
For what it's worth, I wish you well
Yeah, it's been real, you're fake as hell
You're superficial, you know what? I fake it
So artificial, don't know how to take it
You got a problem, I don't wanna solve it
Now it's official, I don't even miss ya
You say it's really nothing personal
And everyone you love is just expendable
Can't make a friend without the end, you know
It's collateral damage
I know it's better if we both say
"So long and thanks for the memories"
I'd like to say that it's been real
But it's been fake as hell
Take two and call me in the morning
Three chances, should've seen the warning
For what it's worth, I wish you well
Yeah, it's been real, you're fake as hell
You say it's really nothing personal
And everyone you love is just expendable
You say it's really nothing personal (Can't make a friend without the end, you know)
Personal (End, you know; personal)
You say it's really nothing personal (I know it's better if we both say)
And everyone you love is just expendable ("So long and thanks for the memories")
Can't make a friend without the end, you know (I'd like to say that it's been real)
End, you know (But it's been fake as hell)
I know it's better if we both say
"So long and thanks for the memories" (Thanks for the memories)
I'd like to say that it's been real
But it's been fake as hell
Take two and call me in the morning
Three chances, should've seen the warning
For what it's worth, I wish you well
Yeah, it's been real, you're fake as hell
Fake as hell (Fake as hell)
(You're fake as hell)
You're so fake as hell (For what it's worth, I wish you well)
(Yeah, it's been real, you're fake as hell)
All Time Low è un gruppo musicale pop-punk statunitense formatosi nei sobborghi di Baltimore, Maryland, nel 2003. Il nucleo originario era composto da Alex Gaskarth (voce e chitarra) e Jack Barakat (chitarra), che in seguito hanno reclutato Zack Merrick (basso) e Rian Dawson (batteria). Influenzati da band come Green Day e blink-182, All Time Low si sono distinti per un sound energico e live show coinvolgenti, spesso caratterizzati da coriandoli e palloni. Dopo aver suonato in locali del circuito est-sud americano durante le vacanze scolastiche, hanno pubblicato l'EP "The Three Words to Remember in Dealing with the End" nel 2004 e l'album "The Party Scene" l'anno successivo. Nel 2006 sono stati ingaggiati dalla Hopeless Records dopo aver condiviso il palco con band come Motion City Soundtrack, The Early November e Plain White T's. Il loro primo album per la Hopeless Records è stato "Put Up or Shut Up", seguito da "So Wrong, It's Right" nel 2009. Tra i brani più rappresentativi di All Time Low figurano "Dear Maria, Count Me In", "Weightless", "Monsters" e "Somewhere in Nevada".
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Die Musik ist eine universelle Sprache, die Menschen auf der ganzen Welt miteinander verbindet. Sie kann nicht nur unsere Gefühle ansprechen und inspirieren
Musik hat seit jeher die Fähigkeit, Menschen zu vereinen und Botschaften der Hoffnung und des Friedens zu verbreiten.
Konzerte sind schon immer eine beliebte Form der Unterhaltung für Menschen auf der ganzen Welt gewesen.
Deutschland hat im Laufe der Jahre viele großartige Musikgruppen hervorgebracht, die auf der ganzen Welt bekannt geworden sind.
Eine Gitarre zu stimmen, kann für Anfänger eine Herausforderung darstellen, aber es ist ein wichtiger Schritt, um sicherzustellen, dass Ihr Instrument gut klingt.
Matt Costa
Explosions In The Sky
Neil Sedaka
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Mindrot
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