Ongoing weakness takes to flight
Its strength no longer known
It's been erased and transferred on
As difference broke the mold
What once was stable is no more
Thrown off and soon deceived
And through subjective oddities
It's becoming obsolete
Off kilter!
In everything there is another that
Could be its reflection
Looking down inside so same-alike
The outside's looking in
To be exact is what it searches
A lesson to remind
A certain something nothing shares
Yet identical inside
Off kilter it's off kilter
Slow motion frenzy looks away
The hyperactive whirlwind glares
Down in darkened haze
It laughs while watching all the
Failures in the human race
Well-feasted in its pleasures now
Reserved for what's inside
Destructive plans submerge
To terrorize
And through despair it's grown and
Grown and becomes familiar face
It goes on and on with slow detection
That's slowly taking place
An uneasiness that's lost the found
Comes screaming down the line
To carve and sculpt a fitting mold
That seeking eyes can't find
Off kilter!!
Forced to suffer, spiraled down and
Thrown into the vague
Nothing reacts nothing defends
At mercy the unknown
Through time and age and day
And night as outcome it exists
Laboric rat so soon to prune
Has quickly changed its pace
Off kilter so off kilter
Turning more and more yet unobtained
The hyperactive whirlwind glares
Down in darkened haze
It laughs while watching all the
Failures in the human race
Well-feasted are its pleasures now
Reserved for what's inside
The peril to avoid is now!
It's turning tail brings sour as it
Rots a healthy core
Sympathy through mourning wreaths
Hanging evermore
In distance it is waiting
Or has it gone and passed?
A turning world fools no one
A figment of the past
The eternal world keeps growing and
Surrounded for all time
On swinging hooks marked as failure
Life is passing by
Crazed sirens have been sounded
Warning waits ahead
All questions unanswered
Brings the truth
The warping spirit changes way and
Reverts into decline
The quest to grieve and revive all
Rejects us from what we call mankind
Inflicted peril rejects all earthly ways
Ingested shock invades, evolves as
Horror takes its place down in the void
This disturbing moving frenzy
Its savage actions reaching out
Yet a shocking, waiting deja vu
Now almighty nowhere the unhuman
Side in human form
A striking resemblance the replica
Has begun
Resist no further intact it's always been
The message lost through distortion
Perception through odd abduction
Off-kilter interact the challenge
Remains while seduction of drama awaits
Deceased is a death/thrash metal band from Virginia, that has attained a dedicated, though cult following throughout a lengthy recording and live career. Founded in 1984, by drummer and vocalist King Fowley, the first band to sign Relapse Records, they released four full albums through the label, along with a number of EPs, demos and re-releases of early demos. Leaving Relapse Records in 2003 to sign to Thrash Corner, the band continues to release material to this day. Though their style has changed through the years, turning into a cross between thrash and heavy metal, with slightly harsh vocals, compared to the early and rawer death metal sound of their original works. Their sound centres around the powerhouse drumming and horror lyrics barked, sometimes narrated vocals of Fowley, telling tales of zombies and classic works of horror from The Twilight Zone to the works of Edgar Allan Poe ("Dark Chilling Heartbeat" retells "The Tell-Tale Heart" on their Supernatural Addiction album) while the twin guitars often move quickly from riff to riff - the band's songs typically work through several time signature and tempo changes. From their fairly primitive origins, while their core sound has always retained an almost punk/hardcore edge to its rawness, Deceased became more and more ambitious in terms of their use of melody in their progressive, lengthy thrash guitar workouts. This transition in their career was marked by the release of a full zombie concept LP, "Fearless Undead Machines", with cover art by painter Wes Benscoter and spoken samples from George A. Romero's "..of the Dead" films, as well as the band's own attempts to stage classic horror monologue and storytelling. In 2006 the band left Thrash Corner Records and started their own label in 2008 called Shrieks from the Hearse. 2009 sees the band returning with a new album called 'Surreal Overdose' on this label.
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Deutschland hat im Laufe der Jahre viele großartige Musikgruppen hervorgebracht, die auf der ganzen Welt bekannt geworden sind.
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